Sep 8, 2019
From revolution to irrelevance: how classical music lost its audience
Much to ponder in Simon Behrman's 2009 article in the International Socialism Journal: http://isj.org.uk/from-revolution-to-irrelevance-h...
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/ future engagements
2021 Wiener Staatsoper
La Traviata
G. Verdi
Assistant director
2020 Bregenzer Festspiele
Rigoletto
G. Verdi
Assistant director
2021 Bregenzer Festspiele
Rigoletto
G. Verdi
Assistant director
2020 LA Opera
La Cenerentola
G. Rossini
Revival Director
2021 Teatro Real, Madrid
La Cenerentola
G. Rossini
Revival Director
/ shovel–ready projects
Book these shows
REVIVAL
K. Weill
Site-adjustable chamber opera · 35"
English or German · 1 soloist (M/S)
male ensemble (TTBB) · 1 dancer (f)
REVIVAL
R. Leoncavallo
60" · modern English translation
5 soloists (S/T/T/B/B)
suitable for ages 12 - 18
PROPOSAL (Independent Opera)
Š. Voseček
Contemporary chamber opera · 80"
5 soloists (S/S/T/B/B)
male ensemble (T/B/B)
IN DEVELOPMENT
Pierrot Lunaire
A. Schönberg
Site-adjustable staged song-cycle · 40"
German · 3 singers (T/S/M or T/S/S)
REVIVAL
H. Herzogenberg
Choral programme with speakers · 90"
German · Choir · 3 soloists (S/T/B)
3 speakers (m/m/f)
PROPOSAL (AsLiCo)
G. Verdi
70" · Italian or English translation
re-imagining of the story
3 soloists (S/T/B), male ensemble (T/B/B)
IN DEVELOPMENT
M. Nyman
Chamber opera · 60"
English · 3 soloists (S/T/B)
REVIVAL
L. Janáček
Site-adjustable staged song-cycle · 35"
English, German or Czech · 2 soloists (T/M)
female ensemble (S/S/M)
IN DEVELOPMENT
Petite Messe
Solennelle
G. Rossini
Latin Mass · 80"
7 soloists (S/S/A/A/T/T/B/B)
5 ensemble (S/A/T/T/B)
/ œuvre-sharing
Blogging
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